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Hip Hop Act THE ROOTS OF HIPHOP
Hip Hop Act
Hip hop roots are traceable to a myriad of musical genres that were in existence before its inception. A common feature of all these styles is the fact that they all had borrowed inspiration from African inspired musical styles. Some of these parent styles include African-American gospel, folk, jazz, blues and R&B. Afro-Caribbean styles such as calypso, salsa, soca, ska and reggae can also be cited as the earliest influences for the birth of hip hop music. This then begs the question of how these genres came together to form a genre of music that has attracted critics and fans alike.
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The history of hip hop begins in the early 16th century, when natives of West Africa were being transported to North and South America where they were condemned to work as slaves for the rest of their lives. These Africans carried with them their oral traditions to these new lands. These traditions were transmitted down through each succeeding generation and changed into a form of resistance for the slaves as well as a unifying source of comfort. They evolved to spiritual songs which were then known as negro-spirituals and ballads. These songs are still sung today as popular hymns.
Gradually, as the slaves adopted the Christian religion and began forming their own churches, this style of music that had originated from West Africa gave rise to a response rhythm between a congregation and the presiding minister. Meanwhile, other forms of music such as jazz, blues and soul began penetrating the south which as largely populated by blacks.
A fusion of these styles of music found its way into Jamaica through the American soldiers who were enlisted in the Caribbean during World War II. The main musical genre present in Jamaica at the time was reggae and a practice known as versioning was widely known. Versioning occurred as a result of an artiste creating and recording a vastly popular song. This popularity would precipitate other artistes to arise and create different versions out of it. This is similar to what is known as sampling in hip hop.
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DJs were very popular in Jamaica and they would put up temporary discos in rented buildings or even the streets. This was a very competitive activity and this competitive nature gave rise to the concept of toasting. Toasting referred to a DJ doing either improvised or scripted talking while a song was playing. Most of the times, this talking was in the form of jabs aimed at rival DJs. Toasting gave rise to two types of reggae known as talk over and dub. Talk over referred to the recording of a DJ toasting a particular tune. Dubs added the use of sound effects such as echo and treble to talk over.
This knowledge of toasting and dubbing was introduced to the streets of West Bronx New York by a Jamaican immigrant known as Clive Campbell. Campbell armed himself with a huge sound system, adopted the stage name Kool Herc, and began his career as a DJ. As a rap DJ, he would rap using the microphone over a tune while making in-house references. As other DJs in Brooklyn and Manhattan adopted this practice, the foundation of hip hop was laid.
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